2 classes matched your search criteria.

Fall 2023  |  AMES 5920 Section 001: Topics in Asian Culture -- Global Political Cinema (32169)

Instructor(s)
Class Component:
Lecture
Credits:
3 Credits
Repeat Credit Limit:
12 Credits
Grading Basis:
Student Option
Instructor Consent:
No Special Consent Required
Instruction Mode:
In Person
Class Attributes:
Topics Course
Enrollment Requirements:
Exclude fr or soph 5000 level courses
Meets With:
AMES 3920 Section 001
Times and Locations:
Regular Academic Session
 
09/05/2023 - 12/13/2023
Tue, Thu 01:00PM - 02:15PM
UMTC, East Bank
Nicholson Hall 345
Enrollment Status:
Open (3 of 17 seats filled)
Also Offered:
Course Catalog Description:
Topics specified in Class Schedule.
Class Notes:
The central questions animating this course are: What is "political cinema," and "How does it manifest and affect politics?" Thus, the questions are not only about the politics of cinema but also what kind of politics cinema makes possible. We will explore these questions from the historical vantage of those moments when cinema became political or the mediator or instrument for "a politics." This framework prompts us to examine the political ontology of cinema in relation to other media and simultaneously to its material manifestations in the political communities. We are interested in exploring the entanglements between what sort of political moves/movements cinema made or can make, what sort of positions it occupied or could occupy, in its own reflexive relation to its political ontology and its political stance vis-à-vis this relation. Thus, how cinema thinks (politics), how it thinks itself, what it wants us to think and how we think about it will be issues of vital importance to us.
Class Description:
The central questions animating this course are: What is "political cinema," and "How does it
manifest and affect politics?" Thus, the questions are not only about the politics of cinema but
also what kind of politics cinema makes possible. We will explore these questions from the
historical vantage of those moments when cinema became political or the mediator or instrument
for "a politics." This framework prompts us to examine the political ontology of cinema in
relation to other media and simultaneously to its material manifestations in the political
communities. We are interested in exploring the entanglements between what sort of political
moves/movements cinema made or can make, what sort of positions it occupied or could occupy,
in its own reflexive relation to its political ontology and its political stance vis-à-vis this relation.
Thus, how cinema thinks (politics), how it thinks itself, what it wants us to think and how we
think about it will be issues of vital importance to us.
Throughout the course of the semester, students are introduced to and are asked to question the
political ontology of cinema through which politics of cinema is often claimed and gets
manifested. In this course, we will watch films from and read histories, theories, and manifestoes
about:

- African-American Cinema in 1910s and the politics of the possible
- The British Malaya Colonial Cinema (now Malaysia/Singapore) in 1920s and the politics
of labor and racialization
- Soviet film in the 1920s and the politics of the real
- China 1930s and the politics of mobilization
- Brazil 1960s and the politics of development
- Japan 1960s and the politics of the actual
- US-Asia (South Korea, Japan, Southeast Asia) 1970s and the politics of culture
- The Philippines 1980s and the politics of time and revival
- Nigeria 1990s and the politics of digital and infrastructure
- The Middle East 2000s and the politics of displacement.
Textbooks:
https://bookstores.umn.edu/course-lookup/32169/1239
Instructor Supplied Information Last Updated:
27 April 2023

Fall 2023  |  AMES 5920 Section 003: Topics in Asian Culture -- Worlding Global Literature and Cinema (32482)

Instructor(s)
Class Component:
Lecture
Credits:
3 Credits
Repeat Credit Limit:
12 Credits
Grading Basis:
A-F only
Instructor Consent:
No Special Consent Required
Instruction Mode:
In Person
Class Attributes:
Topics Course
Enrollment Requirements:
Exclude fr or soph 5000 level courses
Times and Locations:
Regular Academic Session
 
09/05/2023 - 12/13/2023
Wed 04:00PM - 06:30PM
UMTC, East Bank
Folwell Hall 105
Enrollment Status:
Open (6 of 17 seats filled)
Also Offered:
Course Catalog Description:
Topics specified in Class Schedule.
Class Notes:
Rather than offering up a corpus of works deemed representative of "world literature" or "world cinema," this course investigates the political, critical, and commercial forces that have recognized regional artworks as worthy of global consumption from the nineteenth century to the present. According to what - and whose - rationale have certain works of literature or cinema been judged suitable for global bookstores, cinemas, and classrooms? Should we be critical of such processes? If so, what alternatives might we develop for engaging with diverse regional literatures and cinemas? These are questions for which scholars have only recently begun formulating answers. We will consider these scholarly proposals by reading relevant critical works. But we will also formulate our own insights and solutions by engaging directly with literary and cinematic works dating from the early modern period to the present. How might Chinese or Arabic novels, Thai art cinema, or a Korean blockbuster resist, subvert, or creatively negotiate worlding's culturally reductive mechanisms? For the sake of coherence, we will focus on how worlding processes have applied to works from (South, Southeast, and East) Asia and the Middle East, but students with expertise or interest in other regions will be welcome to incorporate their insights from other fields into class discussions, presentations, and papers.
Class Description:
Student may contact the instructor or department for information.
Textbooks:
https://bookstores.umn.edu/course-lookup/32482/1239

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