Cinematic representations of Latin America in context of other historical/literary narratives. Experiences of Latinos in Hollywood. U.S. films compared with those produced in Latin America. Themes vary (e.g., women, revolution, colonialism).
Class Description:
This course examines a series of complex and interconnected issues of modernity relevant for understanding 20th century Latin America. Using films, texts, lectures, and discussions, we will focus on four overlapping themes: popular revolutions, authoritarianism and human rights, urbanization, and border crossings. We will view films made in Hollywood as well as films made in (and largely for) Latin America, and attempt to understand the ways in which these films depict, explain, interpret, and define notions of modernity within an historical framework. This is not a course in film theory, and while discussions will normally deal with representation and meaning of films, we will not focus on theoretical issues related to the semiotics of film.
Grading:
Students will write three essays and participate in discussions and short assignments during lectures.
Exam Format:
The final exam is one of three essays for the course.
Class Format:
Three hour sessions. We will watch a film each session and discuss it in class.
Workload:
Two assigned books and readings on the Moodle site