0AThis course is dedicated to a critical examination of ruins as a metaphorical and physical (un) aesthetically formed -materialized sites. It situates historical narratives, stories and literature to engage and utilize "ruins as a site" of (in)tangibility knowledge and methodology of the post-colonial. Focusing on embodiment and cultural specificity by linking transnational feminism and political philosophy to everyday survival within and after war and its coloniality, we hope to map the traffic of cultural production. We will retrace narrative nationalism housed in both decolonial methodology and canon of empire, where (un) materialized cultural borders provide a site to be examined (example in contemporary everyday life, staging performances, Arts, novel, exhibitions and also narrative in globalized gaze and its representation). In short, we will look at aesthetic cultural production, within the site of ruins as a methodology of survival in post colonial and current capitalism.
0A
Study of Coloniality, Critical Cartography of transnatiomal Feminism, and How connoisseur knowledge about bodily aesthetics negates the deeper meanings and plurality of worlds that shape cultural production from the Global South;