Fall 2020 | ENGL 8520 Section 001: Seminar: Cultural Theory and Practice -- Eco-Theory, Digital Humanities & New Materialism (33043)
- Instructor(s)
- Class Component:
- Lecture
- Credits:
- 3 Credits
- Repeat Credit Limit:
- 12 Credits
- Grading Basis:
- Student Option
- Instructor Consent:
- No Special Consent Required
- Instruction Mode:
- Completely Online
- Class Attributes:
- Topics Course
- Meets With:
- CSCL 8910 Section 001
- Times and Locations:
- Regular Academic Session09/08/2020 - 12/16/2020Tue 02:00PM - 05:00PMOff CampusUMN REMOTE
- Enrollment Status:
- Open (2 of 4 seats filled)
- Course Catalog Description:
- Sample topics: semiotics applied to perspective paintings, numbers, and money; analysis of a particular set of cultural practices by applying various theories to them. Topics specified in Class Schedule.
- Class Notes:
- This course is completely online in a synchronous format. The course will meet online at the scheduled times. Eco-Theory, Digital Humanities, and the New Materialism This course will question the effects of the natural sciences on the humanities, especially recently, but also historically. We will study the public and media devaluation of the humanities, the deference to the sciences, and the assumption that there is nothing uniquely "scientific" about the humanities themselves. Also, and more significantly, we will explore the tendency by humanists (literary critics, artists, philosophers and social theorists) to defer to the claims of science: its evidentiary models, its futurisms, its speculative materialism. We will look, for example, at how the term "materialism" has changed in recent decades, and what is meant about the branch of theory known today as the "new materialism." We will be interested as well in countertrends: the critique of scientism, for example; resistance to technological or instrumental reason, to a pure productivity without negation, to the death of the subject, and the rhetoric of "being," which is almost everywhere today. We will discuss the many forms of scientism in the humanities: thing theory, posthumanism, ecocriticism, speculative realism; object-oriented philosophy, the neo-positivism of distant reading, and the digital humanities. If Julien de la Mettrie in eighteenth-century France regarded man as a self-moving machine, the Italian philosopher Gianni Vattimo, calls for "strip[ping] the human sciences of any hermeneutic privilege and assign[ing] the position of chief importance to technoscience, the history of which he equates with Being." Scientism, in short, has a long history. But there is another side of the coin. The sciences are more and more reliant on ideas taken without acknowledgement from the humanities themselves - the "Big Bang," for example, "the God particle," the "selfish gene." The infiltration of the science
- Class Description:
- Student may contact the instructor or department for information.
- Textbooks:
- https://bookstores.umn.edu/course-lookup/33043/1209
Fall 2019 | ENGL 8520 Section 001: Seminar: Cultural Theory and Practice -- Power in Theory and Practice (31841)
- Instructor(s)
- Class Component:
- Lecture
- Credits:
- 3 Credits
- Grading Basis:
- Student Option
- Instructor Consent:
- No Special Consent Required
- Instruction Mode:
- In Person Term Based
- Class Attributes:
- Topics Course
- Times and Locations:
- Regular Academic Session09/03/2019 - 12/11/2019Tue 02:30PM - 05:00PMUMTC, East BankLind Hall 202
- Enrollment Status:
- Open (8 of 10 seats filled)
- Course Catalog Description:
- Sample topics: semiotics applied to perspective paintings, numbers, and money; analysis of a particular set of cultural practices by applying various theories to them. Topics specified in Class Schedule.
- Class Notes:
- In this graduate seminar, each unit starts with a theoretical text and moves to work on an illustrative or relevant issue for example Foucault's Discipline and Punish and Michelle Alexander's The New Jim Crow: Mass Incarceration in the Age of Colorblindness, surrounded by scholarly and empirical readings.
- Class Description:
- Student may contact the instructor or department for information.
- Textbooks:
- https://bookstores.umn.edu/course-lookup/31841/1199
Fall 2017 | ENGL 8520 Section 001: Seminar: Cultural Theory and Practice -- American Places/Modern Times (34728)
- Instructor(s)
- Class Component:
- Lecture
- Credits:
- 3 Credits
- Grading Basis:
- Student Option
- Instructor Consent:
- No Special Consent Required
- Instruction Mode:
- In Person Term Based
- Class Attributes:
- Topics Course
- Times and Locations:
- Regular Academic Session09/05/2017 - 12/13/2017Thu 02:30PM - 05:00PMUMTC, East BankLind Hall 202
- Course Catalog Description:
- Sample topics: semiotics applied to perspective paintings, numbers, and money; analysis of a particular set of cultural practices by applying various theories to them. Topics specified in Class Schedule.
- Class Notes:
- http://classinfo.umn.edu/?jani+ENGL8520+Fall2017
- Class Description:
- American Places/Modern Times: This interdisciplinary seminar will explore current thinking about place and space, with a particular focus on American places as portrayed in fiction, poetry, film, and art. We will consider both "America" and "place" in a broad sense, exploring and exploding understandings of American place as geographical site, imagined community, idea, ideal, style and aesthetic. The class is organized around the "modern" American places depicted in Charlie Chaplin's Modern Times: the factory, asylum, crowd, the prison, home, department store, and cabaret. Readings and films that span the 19th to 21st centuries, from Poe's crowds to the prisons in Guantanamo Bay. Works by: Charlie Chaplin, Antonio Gramsci, Nelly Bly, Michel Foucault, Edgar Allan Poe, Miné Okubo, George Cukor, Al Jolson, David and Albert Maysles, Michael Rogin, Jasmine Alinder, Lisa Guenther, Toyo Miyatake, Scott Herring, and others.
- Textbooks:
- https://bookstores.umn.edu/course-lookup/34728/1179
- Instructor Supplied Information Last Updated:
- 23 June 2017
Spring 2016 | ENGL 8520 Section 001: Seminar: Cultural Theory and Practice -- Poets of Commodities: Economic in Cultural Theory (65501)
- Instructor(s)
- Class Component:
- Lecture
- Credits:
- 3 Credits
- Grading Basis:
- Student Option
- Instructor Consent:
- No Special Consent Required
- Instruction Mode:
- In Person Term Based
- Meets With:
- CL 8910 Section 002CSDS 8910 Section 001
- Times and Locations:
- Regular Academic Session01/19/2016 - 05/06/2016Thu 02:30PM - 05:00PMUMTC, East BankLind Hall 202
- Course Catalog Description:
- Sample topics: semiotics applied to perspective paintings, numbers, and money; analysis of a particular set of cultural practices by applying various theories to them. Topics specified in Class Schedule.
- Class Notes:
- http://classinfo.umn.edu/?brenn032+ENGL8520+Spring2016
- Class Description:
- Poets of Commodities: On the Economic in Cultural Theory In this course, we will explore a number of texts of economic theory central to the traditions of cultural critique. For historical and political reasons, allusions to the "economic" are everywhere in the discourses of theory today, which makes it impossible to read many of the emerging theorists without understanding the texts upon which they draw (often without acknowledgement). Such reliance on economic concepts include recent attempts to dwell on the double-meaning of (aesthetic/economic) "value," for instance; the received wisdom that we are living in a "post-industrial" society, to take another; or the old idea (recently resurrected) of immaterial labor; the possibility and potential of socialism, communism, or a redefined capitalism; the economic role of intellectuals; the principle of deterritorialization in light of capital flow-- all of these issues dominate the writing and thinking of contemporary theorists from David Harvey to Silvia Federici and Karatani Kojin, and it has become a basic task to clarify their meanings.
But it is a difficult task in that so few of the cultural theorists actually study economics relying instead on inherited ideas at second-hand - Mauss taking from Durkheim; Benjamin from Simmel; Derrida from Marx, and so on. This course will instead face a broader and richer history of economic concepts and ideas and attempt to position them within an intellectual-political matrix. At the same time, it will attempt to theorize the ubiquitous gestures towards the economic by theorists operating in philosophical or aesthetic modes that, curiously enough, take their stand by vigorously rejecting economic determinations and, in general, casting skepticism on the "economism" of certain trends in philosophy and social theory.
The present prominence of these issues stems from a long and venerable tradition of sociologists, misfits, autodidacts, philosophers, and poets - that is, precisely not economists, since economists themselves were (and are) rightly seen as basically apologists and ideologists with no scientific validity whatsoever. One of the theses of this course is that this maverick economic has rarely been perceived as a tradition as such. From them emerged startling modes of questioning that exploded many of the claims of political economy, and constituted an influential challenge to the claims of economic expertise. Although setting out from disparate points of departure (revolutionary cells, avant-garde broadsheets, muck-raking journalism, or the lurid voyeurism of ethnography), they all in their own way dislodged economics from the ponderous arithmetic and impenetrable graphs of the discipline's own pseudo-scientific grandeur. Marx's title for The Grundrisse was "A Critique of Economic Categories." As if in answer, a tradition of thought opened up vast new unexplored areas of inquiry: the concept of "expenditure" seen as substitute for "accumulation," for example; the "image-function" of the global periphery; the concept of "over-development," the trope of the commodity fetish, capital mobility's decoupling of space and place; "reification," and the surpassing ofthe mode of production paradigm. In this course, we will try to pin down what these concepts mean, where they come from, and what their stakes are.
The point is not so much to march through the various schools of thought within economics in order to show their failings as to point out that "economics" - or what that science supposedly treats - has been creatively, and very skeptically, addressed by a host of non-economists for the last two centuries. In fact, these thinkers constitute a tradition that has never been named. One doesn't find here so much a debate with economists as an attempt to move the whole discussion of what economics nominally treats (value, material reproduction, the circulation of goods, the satisfaction of needs, development) to broader areas of culture and the human sphere.
- Textbooks:
- https://bookstores.umn.edu/course-lookup/65501/1163
- Instructor Supplied Information Last Updated:
- 26 October 2015
Fall 2014 | ENGL 8520 Section 001: Seminar: Cultural Theory and Practice -- Science & Scientism in the Humanities (33793)
- Instructor(s)
- Class Component:
- Lecture
- Credits:
- 3 Credits
- Grading Basis:
- Student Option
- Instructor Consent:
- No Special Consent Required
- Instruction Mode:
- In Person Term Based
- Meets With:
- CL 8910 Section 001CSDS 8910 Section 001
- Times and Locations:
- Regular Academic Session09/02/2014 - 12/10/2014Thu 02:30PM - 05:00PMUMTC, East BankRapson Hall 15
- Course Catalog Description:
- Sample topics: semiotics applied to perspective paintings, numbers, and money; analysis of a particular set of cultural practices by applying various theories to them. Topics specified in Class Schedule.
- Class Description:
- This course will question the effects of the "sciences" on the humanities, especially recently, but also historically. We will study the public and media devaluation of the humanities, the deference to the sciences, and the assumption that there is nothing uniquely "scientific" about the humanities themselves. Also, and more significantly, we will explore tendency by humanists (literary critics, artists, philosophers and social theorists) to defer to the claims of science: its evidentiary models, its futurisms, its speculative "materialism." We will be interested as well in counter-trends: the critique of "scientism," for example; resistance to technological or instrumental reason, to a pure productivity without negation, to the death of the subject, and the rhetoric of "being," which is so widespread today. We will discuss the many forms of scientism in the humanities today: "thing" theory, posthumanism, ecocriticism, speculative realism; object-oriented philosophy, the neo-positivism of "distant reading," and the digital humanities. If Julien de la Mettrie in 18th-century France, regarded man as a self-moving machine, the Italian philosopher Gianni Vattimo, calls for "strip[ping] the human sciences of any hermeneutic privilege and assign[ing] the position of chief importance to technoscience, the history of which he equates with Being." Scientism, in short, has a long history. But there is another side of the coin. The sciences are more and more reliant on ideas taken from the humanities without acknowledgement, the "Big Bang," for example; "the God particle." The infiltration of the sciences by the humanities (again, without acknowledgement) can be seen in many of the most celebrated theorists of science in practice: viz, Ian Hacking (Historical Ontology and The Emergence of Probability) and Paul Feyerabend, Against Method. We will assess these trends, explore what is methodologically unique to the humanities, weigh the meaning of the word "materialist," discuss the politics of scientism, and think about the reasons for its current prominence. Readings will be from several genres: novels, criticism, manifestoes. Some possible readings include: Max Horkheimer, Paul Feyerabend, Gilles Deleuze, Ian Hacking, Ludwig Wittgenstein, Bruno Latour, Katherine Hayles, Henri Atlan, Curtis White, Leon Wieseltier, Stanislaw Lem, Carl Popper, Jane Bennett, and others. Requirements: one or two in-class presentations, a mid-term essay prospectus, and a final essay of 15-25 pages.
- Textbooks:
- https://bookstores.umn.edu/course-lookup/33793/1149
- Instructor Supplied Information Last Updated:
- 2 April 2014
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